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Recent News

01/26/2010. Two Pre-1976 Paragon Workhorses Still Firing. “We were contacted by the craft center on campus in the union, which was closing. They said they had ...
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01/14/2010. NAEA (National Art Education Association), April 14 – 18. NAEA (National Art Education Association), April 14 – 18, Baltimore, Maryland ...
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01/14/2010. Glass Craft and Bead Expo, April 7 – 11. Glass Craft and Bead Expo, April 7 – 11, Las Vegas, Nevada ...
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01/14/2010. Advanced Kiln Maintenance Seminar February 19 - 20, 2010. We are holding an Advanced Kiln Maintenance Seminar February 19 - 20, 2010 at the Paragon factory ...
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01/14/2010. NCECA (National Council on Education for the Ceramic Arts), March 31 – April 3. NCECA (National Council on Education for the Ceramic Arts), March 31 – April 3, Philadelphia, Pennsy ...
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01/14/2010. Tucson Bead Show. Tucson Bead Show, February 4 – 7, 2010, Tucson, Arizona ...
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10/30/2009. Paragon Introduces a Portable Kiln for PMC and Art Clay Silver. Paragon Industries has just announced the SC-1 jewelry kiln, which weighs 15 pounds and operates on ...
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05/21/2009. The QuikFire Kiln That Went Around the World. -- By Betty Jean Scott (Las Vegas, Nevada) My Paragon QuikFire 6 has traveled around the wor ...
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04/28/2009. Paragon Introduces Square Glass Fusing Kilns. We have just released the new Fusion-14 and READ MORE


04/23/2009. 2008 and 2009 Glass Craft Expo Paragon Kiln Winners. For the last two years we have held a kiln drawing at Glass Craft and Bead Expo in Las Vegas, Nevada ...
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Beadmaker anneals glass and fires PMC in the Paragon Caldera

Emma Ralph in Surrey, England

01/12/2006

Emma Ralph is a prominent, full-time bead maker who lives in Coulsdon, a town in Surrey, England. She has loved making beads since her teens. “Ask any beadmaker--it's an addiction we cannot break!" she said.

Emma just purchased a Paragon Caldera kiln. “I use my Caldera mainly for batch-annealing small glass beads, but occasionally I fire up some PMC,” she said. “The Paragon Caldera is my first kiln. I have been so impressed with the all-round performance and service. I thought the manual and paperwork that came with both the kiln and digital controller were both excellent.

“I particularly appreciate the way that there is so much information for diagnostics and repair / maintenance in the manuals,” she said. “When I showed my engineer husband the various diagrams and technical specs, he made those lovely reassuring noises of ‘ah’ and ‘I see’ that ever woman loves to hear. In other words, if anything goes wrong, he can fix it . . . yeah! With so many products these days, if something goes wrong we are expected to trash it and start again. But with the Paragon Caldera, it is so refreshing how the paperwork explains that various parts will wear out from time to time and how they can be replaced.

“The tips in the manual for fusing, annealing and even using PMC were also excellent and very appreciated. As are your kiln pointer emails.”

Shown below are images of Emma’s lampwork beads and also one of her precious metal clay and lampwork pendants: “All annealed and fired in my trusty Caldera!”

What inspires Emma? “Among other sources, I look to our cultural heritage for inspiration,” Emma said. “I am inspired by past British artists, especially their use of colour and motif. I love to see how designers as diverse as Charles Rennie Mackintosh or Clarice Cliff would approach design. Then I use what I learn to formulate a series of beads.

“Bead-making works for me because I am a practical person,” said Emma. “I love the functionality of beads and jewellery, and I love making colour and design become wearable.” Visit Emma’s website